The virtue of patience sounds like one of the many spiritual gifts we may have, or an element of character education, or just one of those things our parents and teachers like to bother us about. If the quest for art drives you toward toward seeking perfection, being the best, or unreasonable weight loss, I hope the following body image tips and self-education tips help you improve and modify your self care in your ballet training.
All of this applies to young athletes as well. The individual's achievement orientation of athletics in high school, or ballet schools is supplemented by the dance team competitions, and the competition to get on a team, cast in a ballet performance or included in an exam class. This is an exciting, positive thing. It will, however, inevitably complicate your life,
Body image, diet, time planning, sounds like you need a staff of ten. But your self care is all up to you.
Avoiding or overcoming depression, or striving for weight loss is also a positive thing. The healthier dancer will communicate with parents, get medical advice if needed, and also do their own research.
For instance, it may seem that a growing teen dancer has a sugar addiction. This is not uncommon in our culture, but also can show up as a temporary condition if a growth spurt coincides with extra classes, rehearsals, and final exams. More lean protein, omega 3 fats, vitamins and minerals are needed, every day, to accommodate growth.
Sugar addiction can also result from an attempt at overcoming depression - sugar is a drug and changes the way we feel. All too temporarily. It leads to adrenal exhaustion which leads to more sugar or carbohydrate craving, and goes round and round until a different behavior interrupts the process.
Also, factor in the respect needed for your own process of growing up. Your body will continue to change and develop shape and bone mass according to how you feed it, rest it, and work it. Your growth stage will not always fulfill your body image ideas, but have faith, it will change and it will be okay.
Fast food will deprive you in so many ways it would take a book to describe it, and many have been written already.
"Fast life", like fast food, will also deprive you of growth and health. While attending to your ambition at ballet school, or in sports training, create simplicity. The aspects of our culture that govern viewpoints on social standing, sexiness, body image, being cool, having the best toys, car, clothes, are not created for your benefit.
So who DO these social pressures benefit? Think about that.
Think about the time you put into it.
It may be a struggle to deal with the whole issue, but in standing a little detached from all those issues for a few minutes every morning, could be a great survival strategy for you. Give to your priorities as much as you can, without neglecting family or other obligations.
This might sound like a crash course in becoming an immediate social outcast, but my experience is that teens that practice some detachment from following the crowd and pursuing reasonable self care often end up being followed themselves. Ironic, life is.
Being independent this way may bring you more support and respect for your ambitions. Again, it may not, but hopefully there are some smart and loving people in your life.
Save your stress for things that matter. Decide what matters. Decide what the best self care is for you, in your ballet training, art training and sports training. Or academic training, any training. The virtue of courageous patience will grow with you, regardless of what you call it.
How to Avoid Overuse of the Achilles Tendon in Sports and Ballet
One of the too-common dance injuries is that of the achilles tendon. Runners and other athletes in sports training also suffer some over use inflammation, and even rupture of the achilles tendon. This tendon depends on muscle strength in the calf and the foot, to retain proper use. Following are some self-care tips that will help you avoid overuse and injury of your achilles tendons, and encourage courageous patience in better rehabilitation.
Tendonitis is all too-prevalent in dance injuries and sports injuries. In fact, when someone says "I have tendonitis" it usually refers to the achilles tendon, without being explained, it is that common. Inflammation, or "itis" can occur in any area of the body.
The achilles tendon comes from the lower end of the calf muscles, and inserts, or is attached, to the heel bone. The calf muscles above, and the intrinsic foot muscles below, are supposed to do all the actual work in moving the foot flexed, or extended (pointed, in ballet).
If the foot can flex and stretch without changing its angle (curving outward, or sickling out in ballet, or curving inward, sickling in or 'pigeon toes'), in most cases the tendon will not get irritated.
This is presuming that when you are standing on an even surface, the foot is not sloping inward, what people think of as "fallen arches", or is not sloping outward toward the little toe edge of the foot.
Runners and other athletes often work on uneven surfaces and depend on both strength and supportive shoes to minimize the variation in foot angle as it strikes the ground or pushes off. Ballet dancers absolutely depend on foot strength to prevent misuse, as they do not generally wear supports in their ballet shoes and pointe shoes. If needed, however, orthotics, or foot levelers, can be worn in dance shoes.
If a dancer or athlete has bowed legs, or hyper-extended legs, there will be an angle created just to have the feet flat on the floor. If this situation is understood, the student can be taught how to avoid inflammation of the achilles tendon through understanding, and correction of, or accurate compensation for, this particular anatomical detail.
Correcting the stance of hyper-extended legs by stacking the skeletal joints (ankles, knees, hips and on up) and holding turnout, will correct the natural pronation (fallen arches) of the feet on the floor. Sometimes this is not even visible to a glance in dancers, due to a strong built-up muscle structure that is deceptive. Even chiropractors and physio therapists have to test dancers' muscles extensively, in order not to miss this observation, until they gain experience with it.
As more and more athletes are studying ballet principles of turnout and footwork to gain an extra advantage in their performance, and prevent sports injuries, hopefully the area of hyper-extension will also be addressed.
Bowed legs require an angle of the foot, for it to be flat on the floor. In ballet, correct use of turnout, developing the intrinsic foot muscles, and always having the body weight placed correctly on the feet (hyper-extension and bowed legs tend to throw the weight back) minimizes the overuse and irritation of the achilles tendon.
Both ballet dancers and athletes need the understanding that poorly developed foot muscles lead to exhausting the calf muscles. This in turn creates tension, loss of muscle tone and strength, and the achilles tendon develops tendonitis.
Once inflammation has set in, rest, and icing must be applied. A courageous patience is needed in recovery, as the pressure to stay in the daily competitive drive for a an upcoming exam, performance or team try-out, must be resisted. You long term persistence in your chosen field depends on avoiding a chronic situation.
Ballet, dance, and sports injuries can be prevented. If you are a pre-pro, a would-be ballerina, a dedicated recreational dancer or athlete, study all you can about how to avoid overuse and injury of your achilles tendon.
Tendonitis is all too-prevalent in dance injuries and sports injuries. In fact, when someone says "I have tendonitis" it usually refers to the achilles tendon, without being explained, it is that common. Inflammation, or "itis" can occur in any area of the body.
The achilles tendon comes from the lower end of the calf muscles, and inserts, or is attached, to the heel bone. The calf muscles above, and the intrinsic foot muscles below, are supposed to do all the actual work in moving the foot flexed, or extended (pointed, in ballet).
If the foot can flex and stretch without changing its angle (curving outward, or sickling out in ballet, or curving inward, sickling in or 'pigeon toes'), in most cases the tendon will not get irritated.
This is presuming that when you are standing on an even surface, the foot is not sloping inward, what people think of as "fallen arches", or is not sloping outward toward the little toe edge of the foot.
Runners and other athletes often work on uneven surfaces and depend on both strength and supportive shoes to minimize the variation in foot angle as it strikes the ground or pushes off. Ballet dancers absolutely depend on foot strength to prevent misuse, as they do not generally wear supports in their ballet shoes and pointe shoes. If needed, however, orthotics, or foot levelers, can be worn in dance shoes.
If a dancer or athlete has bowed legs, or hyper-extended legs, there will be an angle created just to have the feet flat on the floor. If this situation is understood, the student can be taught how to avoid inflammation of the achilles tendon through understanding, and correction of, or accurate compensation for, this particular anatomical detail.
Correcting the stance of hyper-extended legs by stacking the skeletal joints (ankles, knees, hips and on up) and holding turnout, will correct the natural pronation (fallen arches) of the feet on the floor. Sometimes this is not even visible to a glance in dancers, due to a strong built-up muscle structure that is deceptive. Even chiropractors and physio therapists have to test dancers' muscles extensively, in order not to miss this observation, until they gain experience with it.
As more and more athletes are studying ballet principles of turnout and footwork to gain an extra advantage in their performance, and prevent sports injuries, hopefully the area of hyper-extension will also be addressed.
Bowed legs require an angle of the foot, for it to be flat on the floor. In ballet, correct use of turnout, developing the intrinsic foot muscles, and always having the body weight placed correctly on the feet (hyper-extension and bowed legs tend to throw the weight back) minimizes the overuse and irritation of the achilles tendon.
Both ballet dancers and athletes need the understanding that poorly developed foot muscles lead to exhausting the calf muscles. This in turn creates tension, loss of muscle tone and strength, and the achilles tendon develops tendonitis.
Once inflammation has set in, rest, and icing must be applied. A courageous patience is needed in recovery, as the pressure to stay in the daily competitive drive for a an upcoming exam, performance or team try-out, must be resisted. You long term persistence in your chosen field depends on avoiding a chronic situation.
Ballet, dance, and sports injuries can be prevented. If you are a pre-pro, a would-be ballerina, a dedicated recreational dancer or athlete, study all you can about how to avoid overuse and injury of your achilles tendon.
Fashionable Footwear Friday!
Wait until you get a load of these cute shoes from around the cubes. You will never guess where this fashionable gal bought them. Adorable and affordable - it doesn't get any better than that!
Do you wanna know the best part? I can tell you where to go to get a pair of your very own.
Sexy Sexy Sexy!
You can find these at Browns for about £495.
Christian Louboutin C'est Moi Booties
HOT! HOT! HOT! I absolutely LOVE this bootie by Louboutin. Oh the buttons, oh the color, oh the 5 inch heel! I need to get me some 5 inch heels! Net-A-Porter has these paired with all black and I like that look. Although I think these would also be gorgeous with gray. I like the idea of pairing them with something really structured like this Marc Jacobs Wool blazer dress pictured below. Oh they make me giddy!
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